 Left to right: Ghenady Meirson, Benita Valente and Mikael Eliasen
 Curtis Institute of Music Chair in Vocal Studies; Artistic Director of the Curtis Opera Theatre, Opera and Voice Coach
Danish-born coach and accompanist Mikael Eliasen received his early training in Copenhagen, Montreal, and Vienna. He has collaborated with numerous singers in recital worldwide, including Robert Merrill, Tom Krause, John Shirley-Quirk, Elly Ameling, Edith Mathis, Florence Quivar, Mira Zakai, Sarah Walker, Joan Patenaude-Yarnell, and Curtis alumni Theodor Uppman, Michael Schade, and Rinat Shaham. He has recorded for Albany Records, CBC, Hilversum Radio, Polish State Radio, Kol Israel, Irish Radio and Television, London Records, MHS, and Supraphon. Mr. Eliasen has given master classes at Aix-en-Provence, the Shanghai Conservatory, Tchaikovsky Conservatory (Moscow), Jerusalem Music Center, and National Opera of Prague. He has a long association with the young-artist programs at the Royal Danish Opera and the Opera Studio of Amsterdam. In the United States, he works regularly at the Lyric Opera of Chicago, LA Opera, Houston Grand Opera, Pittsburgh Opera, Santa Fe Opera, and the Metropolitan Opera. Mr. Eliasen was music director of the San Francisco Opera Center from 1994 to 1996 and artistic director of the European Center for Opera and Vocal Art in Belgium from 1984 to 1994. For twenty years he has taught at Chautauqua's Voice Program during the summers. Mr. Eliasen joined the faculty of the Curtis Institute of Music in 1986 and became the head of the department in 1988. Here's a fascinating two-part video. Hold on to your seat. Mikael Eliasen is a fearless and colorful personally.
I invited Mikael to give a master class at the Russian Opera Workshop 2011. As usual, he is booked for a few years in advance. We'll plan for 2012. Recently, Mikael celebrated 25th anniversary as the Artistic Director of the Curtis Opera Theatre and Head of Vocal Studies Department. Curtis' "Overtones" publication honored Mikael with an eloquent article contributed by the Wall Street Journal opera critic, Heidi Waleson. In Part I, Mikael talks about the 25th anniversary concert, his collaboration with violinist Pamela Frank and Curtis Institute of Music director, violist Roberto Diaz. He talks with great pride of his former students, Leila Claire and Elliot Madore, currently in the Metropolitan Opera Lindeman Program, and current Curtis students who have joined him in the celebration. Enjoy! - Ghena In Part II, I talk with Mikael Eliasen about how we listen to music, both for pleasure and in auditions. With 500 applicants for Curtis voice department alone, it is a fascinating look at the audition process.
Enjoy! - Ghena |
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